A Creative Musician Residency
The Saltonstall Foundation and Arts Colony is pleased to partner with local violinist Rolfe Sokol for a first-ever residency for musicians. This pilot project is being coordinated by violinist Sebastian Ruth, founder of Community MusicWorks in Providence, RI and MacArthur Foundation Fellowship recipient.
Master classes and self-directed study
Monday - Saturday, March 25 - 30, 2013
- Individual and group sessions
- Chamber music opportunities
- Five private apartments
- All meals provided
- Dinner prepared each night
- 200 acres with hiking trails
- Free to attend
This residency is currently by invitation only.
Save the Date: Chamber Music Concert at the Colony
** Due to an overwhelming response, we are no longer accepting RSVPs for this Friday's concert. We're full! **
Join us for our first musical concert at the colony on Friday evening, March 29 at 7:30 pm in our beautiful office located at 435 Ellis Hollow Creek Road. This intimate concert coincides with the conclusion of the residency. It is free of charge and open to the public. RSVPs appreciated since space is limited.
The concert will feature solo and chamber music from among those in residence. The musicians will include Rolfe Sokol, the featured artist of the residency, Minna Choi & Sebastian Ruth from Community MusicWorks in Providence, RI, and Seth Low, cellist with the Baltimore Symphony.
A personal note from residency host, Sebastian Ruth:
Rolfe Sokol is a musician who plays and teaches music as a means of communicating for deep humanistic purposes. His training and his life in music have given him a unique outlook on music and its place in the world.
Through his teachers, Rolfe has a strong connection to an earlier era of music-making, where music was seen as a form of spiritual and individual searching. Eric Rosenblith, one of Rolfe’s important teachers, studied violin with such legendaries as Carl Flesch, Jacque Thibaud, and Bronislav Hubermann, and learned chamber music from figures such as Georges Enescu.
These early 20th-century musicians had an outlook on the meaning of violin playing that featured a quest for individual identity and meaning. Flesch, for instance, used the metaphor of a prism to represent the role of the musician in the creative process: the musician must filter the light of the composition through his / her soul and emotional disposition to create the refraction that will be unique from person to person. In a stylistic sense, that era was characterized by players seeking to be distinctly individual.
Rolfe has a sensibility about the connections between music and the individual’s life that is more similar to the aesthetic of an earlier era of great musicians than to today’s musical priorities.
At the same time, Rolfe’s training as a world-class violinist, studying with Elmar Oliveira and other violinists, gives him an authoritative command of string technique and a wide-ranging perspective on the variations of technical approaches to the instrument.
My lessons with Rolfe over the years, both when I was a high school student, and in recent years, have always been unusual by the standards of a typical violin lesson. It would not be unusual for us in the course of three or four hours, for instance, to watch a film about an important musician, to discuss Rolfe’s thoughts about people who have made deep commitments to humanity, and to listen to a particular recording, all before opening the violin case.
Then, in the course of working through a piece of music, it wouldn’t be unusual for our discussions to range from events in my personal life, to a technical detail of how to play a half-step, to how a particular phrase might in fact conjure the despair of a prisoner in a totalitarian labor camp.
I find Rolfe to be an exceptional and unusual musician, and I think he has a tremendous amount to offer to both musicians early in their careers and to accomplished professionals. I have great hopes for how this residency opportunity will allow many musicians to experience Rolfe’s approach, and also what that influence may mean for their lives in music afterward.
For me, Rolfe’s influence has led me to a career that combines musicianship and public service in a way that incorporates service to underprivileged communities. Whether or not other musicians go on to literally engage in public service through their musicianship, I think Rolfe’s spirit of serving humanity through music is one that could be impactful in many contexts.
The combination of Rolfe’s influence and the atmosphere of the Saltonstall Arts Colony will, I think, be inspiring and renewing for the musicians who come for this retreat.
Sebastian Ruth is a violinist, violist, and educator who founded Community MusicWorks, a nationally-recognized organization in Providence, Rhode Island, that connects professional musicians with underserved children and families in comprehensive education and performance programs. Sebastian was the co-founder of the Providence String Quartet, and he has collaborated with many prominent musicians and chamber groups, including the Borromeo, Miro, Orion, and Turtle Island String Quartets, pianist Jonathan Biss, and violist Kim Kashkashian.
In 2010, Sebastian was awarded the MacArthur Foundation Fellowship, commonly known as the “Genius Grant,” for his work in music. Sebastian has initiated this residency program with funds from the MacArthur Fellowship.